Sophie Woolley

I’ve written an episode of EastEnders and it airs at 8.35pm on Wednesday 16 June 2021. Due to the Euros you can also watch on BBC iPlayer from 14 June. I’m very excited about working on the show and grateful to development producer Kieran Grimes and script editor Sophie Peters for supporting me on my first episode.

Filming between lockdowns one and two, I played Gloria in Veneer. Written by and starring Jean St Clair, directed by Louis Neethling of Mutt & Jeff Pictures, Veneer premiered on Film 4 on 5 April. You can watch it online at BSL Zone here

EDIT 18 MARCH 2021: CASUALTY WON THIS AWARD! 🙂

Two episodes of BBC’s Casualty I worked on have been nominated for an RTS award. One episode, includes a storyline I pitched about a wrestler, written by Rachel Aird, directed by Alex Jacob and produced by Rebecca Hedderly.

The other episode included in the nomination, I co wrote with Charlie Swinbourne (directed by John Maidens and produced by Dafydd Llewelyn). Congratulations to everyone on Casualty!

The film of Augmented is streaming at a festival at Southbank Centre 13-15 January 2021. Tickets are FREE. There is a watch party on the first night with a live accessible Q&A with myself director, Rachel Bagshaw.

Check out the rest of the festival for more exciting and accessible work. Thanks for supporting Augmented!

#acesupported

The tour of my solo show, Augmented stopped halfway through in March 2020 because of the Covid-19 pandemic. Toby Bennett filmed what turned out to be the final performance at Salisbury Playhouse. Gateshead International Festival of Theatre (GIFT) streamed the film of Augmented on Saturday 2nd May. The Festival was wonderful, connecting people around the world and filling us artists and creatives with hope. The audience response online to the streaming of Augmented was wonderful, with people posting photos of scenes and lines as they watched.  Augmented got a five star review from A Younger Theatre reviewer, and the Guardian  review called the the show a “fascinating insight into communication and expectation, and makes you pay more attention to the noises of the everyday.”

A Younger Theatre reviewer wrote: “Woolley’s performance is emotionally intense but truthful. She shares a deep connection with her audience in the small space and forces them to confront their own prejudices against those who navigate the world differently.”

The streamed show had captions available and audio description at the click of a button and many audience members were glad they could watch from home – because not everyone has the energy or reseources to go to festivals. Is this the future for the performing arts?

“This production is clever. The simple but effective set from Laura Hopkins and Khadja Raza features a white split backdrop, onto which are projected colours, images and the creative captions expertly printing themselves onto the screen. Woolley uses minimal props, (a chair, a book, a hat) and the split backdrop is used as a telephone, a rainpipe, a piano. Josh Pharo’s captions go way beyond practical and become, at times, beautiful. The words dance across the backdrop like a shape poem and give emphasis to Woolley’s speech. ” (A Younger Theatre)

Supported using public funding by the National Lottery through Arts Council England. The original R&D was funded in its development by Unlimited, celebrating the work of disabled artists, with funding from Arts Council England. Originally developed with Ovalhouse. Supported by the New Wolsey Theatre. Augmented is sponsored by Advanced Bionics.

I spoke to Isabel Flynn of the Guardian as part of her excellent article which also features leading theatre makers, Athena Stevens, Amit Sharma and Jenny Sealey. Read it here.

Find out more about my Augmented tour here.