{"id":1573,"date":"2020-05-04T09:29:18","date_gmt":"2020-05-04T08:29:18","guid":{"rendered":"http:\/\/www.sophiewoolley.com\/?p=1573"},"modified":"2020-05-04T09:29:18","modified_gmt":"2020-05-04T08:29:18","slug":"augmented-online-at-gift-festival-a-virtual-virtuoso-delight","status":"publish","type":"post","link":"https:\/\/www.sophiewoolley.com\/?p=1573","title":{"rendered":"Augmented online at GIFT Festival: &#8220;A virtual, virtuoso delight.&#8221;"},"content":{"rendered":"<p><a href=\"https:\/\/www.toldbyanidiot.org\/associate-company-augmented\" target=\"_blank\" rel=\"noopener\">The tour of my solo show, Augmented<\/a> stopped halfway through in March 2020 because of the Covid-19 pandemic. Toby Bennett filmed what turned out to be the final performance at Salisbury Playhouse. Gateshead International Festival of Theatre (GIFT) streamed the film of Augmented on Saturday 2nd May. The Festival was wonderful, connecting people around the world and filling us artists and creatives with hope. The audience response online to the streaming of Augmented was wonderful, with people posting photos of scenes and lines as they watched. \u00a0Augmented got a\u00a0<a href=\"https:\/\/www.ayoungertheatre.com\/review-augmented\/\" target=\"_blank\" rel=\"noopener\">five star review<\/a>\u00a0from A Younger Theatre reviewer,\u00a0and the\u00a0<a href=\"https:\/\/www.theguardian.com\/stage\/2020\/may\/03\/gateshead-international-festival-of-theatre-review\" target=\"_blank\" rel=\"noopener\">Guardian\u00a0<\/a>\u00a0review called the the show a &#8220;fascinating insight into communication and expectation, and makes you pay more attention to the noises of the everyday.&#8221;<\/p>\n<figure id=\"attachment_1566\" aria-describedby=\"caption-attachment-1566\" style=\"width: 5938px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1566\" src=\"https:\/\/www.sophiewoolley.com\/wp-content\/uploads\/2020\/04\/Augmented_Production_HelenMurray80.jpg\" alt=\"Sophie looks euphoric on a stage surrounded by projected text that says me me me me me\" width=\"5938\" height=\"3959\" srcset=\"https:\/\/www.sophiewoolley.com\/wp-content\/uploads\/2020\/04\/Augmented_Production_HelenMurray80.jpg 5938w, https:\/\/www.sophiewoolley.com\/wp-content\/uploads\/2020\/04\/Augmented_Production_HelenMurray80-300x200.jpg 300w, https:\/\/www.sophiewoolley.com\/wp-content\/uploads\/2020\/04\/Augmented_Production_HelenMurray80-768x512.jpg 768w, https:\/\/www.sophiewoolley.com\/wp-content\/uploads\/2020\/04\/Augmented_Production_HelenMurray80-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 5938px) 100vw, 5938px\" \/><figcaption id=\"caption-attachment-1566\" class=\"wp-caption-text\">AUGMENTED written and performed by Sophie Woolley ; Directed by Rachel Bagshaw ; Co-Design by Laura Hopkins &amp; Khadija Raza ; Lighting Design by Joshua Pharo ; Sound Design &amp; Composer: Adrienne Quartly ; Movement Director: Rachel Drazek ; Assistant Director: Esther Dix ; Dramaturg: Sarah Dickson ; Audio Description: Michael Achtman ; BSL Creative Consultant: Jean st Clair ; Produced in association with Told By An Idiot ; Manchester Royal Exchange ; Manchester UK ; 6 March 2020 ; Credit &amp; Copyright: Helen Murray<\/figcaption><\/figure>\n<p>A Younger Theatre reviewer wrote: &#8220;Woolley\u2019s performance is emotionally intense but truthful. She shares a deep connection with her audience in the small space and forces them to confront their own prejudices against those who navigate the world differently.&#8221;<\/p>\n<p>The streamed show had captions available and audio description at the click of a button and many audience members were glad they could watch from home &#8211; because not everyone has the energy or reseources to go to festivals. Is this the future for the performing arts?<\/p>\n<p>&#8220;This production is clever. The simple but effective set from Laura Hopkins and Khadja Raza features a white split backdrop, onto which are projected colours, images and the creative captions expertly printing themselves onto the screen. Woolley uses minimal props, (a chair, a book, a hat) and the split backdrop is used as a telephone, a rainpipe, a piano. Josh Pharo\u2019s captions go way beyond practical and become, at times, beautiful. The words dance across the backdrop like a shape poem and give emphasis to Woolley\u2019s speech. &#8221; (A Younger Theatre)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1574\" src=\"https:\/\/www.sophiewoolley.com\/wp-content\/uploads\/2020\/05\/Augmented_Production_HelenMurray36.jpg\" alt=\"sophie cringes on a blue lit stage as if scared by an unseen enemy. behind her text is projected ,phrases such as 'why cna't you just leave me alone' and 'i'm running all over the place without music'. behind sophie is a slatted curtain. she stands on a lip shaped mat on the stage. there is a simple metal chair and sci fi style lights at the side of the stage. sophie wears a dress silver leggings and has bobbed hair that flies out as she swivels.\" width=\"4546\" height=\"3031\" srcset=\"https:\/\/www.sophiewoolley.com\/wp-content\/uploads\/2020\/05\/Augmented_Production_HelenMurray36.jpg 4546w, https:\/\/www.sophiewoolley.com\/wp-content\/uploads\/2020\/05\/Augmented_Production_HelenMurray36-300x200.jpg 300w, https:\/\/www.sophiewoolley.com\/wp-content\/uploads\/2020\/05\/Augmented_Production_HelenMurray36-768x512.jpg 768w, https:\/\/www.sophiewoolley.com\/wp-content\/uploads\/2020\/05\/Augmented_Production_HelenMurray36-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 4546px) 100vw, 4546px\" \/><\/p>\n<p>&nbsp;<\/p>\n<div class=\"production-copy\">\n<h3>Augmented Credits<\/h3>\n<p>Writer and Performer\u00a0<strong>Sophie Woolley<\/strong><br \/>\nDirector\u00a0<strong>Rachel Bagshaw\u00a0<\/strong><br \/>\nAssistant Director\u00a0<strong>Esther Dix<\/strong><br \/>\nDesigners\u00a0<strong>Laura Hopkins and Khadija Raza<\/strong><br \/>\nLighting and Projection Design<strong>\u00a0Joshua Pharo\u00a0<\/strong><\/div>\n<div>Composer and Sound Designer\u00a0<strong>Adrienne Quartly<\/strong><br \/>\nMovement Direction\u00a0<strong>Rachel Drazek<\/strong><\/div>\n<div>Production Manager and Stage Manager <strong>Simon Perkins<\/strong><\/div>\n<div>Dramaturg\u00a0<strong>Sarah Dickenson<\/strong><br \/>\nAudio Description\u00a0<strong>Michael Achtman<\/strong><\/div>\n<div class=\"production-copy\">SSE Monitor\u00a0<strong>Jean St Clair\u00a0<\/strong><\/div>\n<p>&nbsp;<\/p>\n<p><em>Supported using public funding by the National Lottery through Arts Council England. The original R&amp;D was funded in its development by Unlimited, celebrating the work of disabled artists, with funding from Arts Council England. Originally developed with Ovalhouse. Supported by the New Wolsey Theatre. Augmented is sponsored by Advanced Bionics.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The tour of my solo show, Augmented stopped halfway through in March 2020 because of the Covid-19 pandemic. Toby Bennett filmed what turned out to be the final performance at Salisbury Playhouse. Gateshead International Festival of Theatre (GIFT) streamed the film of Augmented on Saturday 2nd May. The Festival was wonderful, connecting people around the &hellip; <a href=\"https:\/\/www.sophiewoolley.com\/?p=1573\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Augmented online at GIFT Festival: &#8220;A virtual, virtuoso delight.&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-1573","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pSgAb-pn","_links":{"self":[{"href":"https:\/\/www.sophiewoolley.com\/index.php?rest_route=\/wp\/v2\/posts\/1573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sophiewoolley.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sophiewoolley.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sophiewoolley.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sophiewoolley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1573"}],"version-history":[{"count":1,"href":"https:\/\/www.sophiewoolley.com\/index.php?rest_route=\/wp\/v2\/posts\/1573\/revisions"}],"predecessor-version":[{"id":1575,"href":"https:\/\/www.sophiewoolley.com\/index.php?rest_route=\/wp\/v2\/posts\/1573\/revisions\/1575"}],"wp:attachment":[{"href":"https:\/\/www.sophiewoolley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sophiewoolley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sophiewoolley.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}